Dating real photo postcards

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But it was Curt Teich who finally solved the problem by embossing paper with a linen texture before printing. Barbara Andrews has contributed postcard articles to Antique Trader for more than 35 years. They are probably best known for the view-cards from the colonies of the French Empire.

Hi again, just had a look around, as for filethe divided back was about 1907 onwards. Austrian postcard from 1901. Divided Back Era 1907- Postcards with a divided back began March 1 1907. Postcards picturing sports subjects are highly popular in the sports hobby, and you can find examples picturing Ty Cobb, Babe Ruth, Red Grange and most of the big jesus and teams. Stamp boxes on printed or lithographed cards dating real photo postcards offer dating clues. Wikimedia Commons has media related to. The presence of a photographers name is not a definite indication of when a card was made or even who made it.

In the early 1950s, the newly elected government were concerned at the apparent deterioration of morals in Britain and decided on a crackdown on these postcards. Cyanotype was an old type process.

Dating picture postcards - The first advertising card appeared in 1872 in Great Britain and the first German card appeared in 1874. While they captured the same fine details as the Swiss prints their pallet was much softer and reduced.

MetroPostcard List of Postcard Publishers P p1 P - PUBLISHERS page 1 Pacific Coast Steamship Co. They published a great number of postcards depicting the many ports and views along their routes and of their steamers. Most of their cards were printed and hand colored by the Albertype Company. Pacific Mail Steamship Co. By 1867 they began to establish regular routes to Asia. They published many chromolithographic postcards that held images of their fleet and views from the Far East. They produced cards in different styles, most of which were printed in Germany. They eventually sold off their own printing department to Herman Vogel who renamed it Quadricolor Press. Pacific Novelty went on to produce photochromes that were manufactured in the United States. Palisades Interstate Park Commission 1918-1922 New York, NY Published view-cards depicting scenes from the State Parks of New York and New Jersey along the Hudson River that they administered. Theses postcards were printed through the Albertype Company and the American News Company. Titles were often printed in both Greek and English to appeal to tourists. Frank Palmer 1906-1920 Spokane, WA A photographer of Washington State views. Went on to produce real photo postcards. Papeghin 1900-1931 Paris and Tours, France A publisher of black and white and monochrome collotype postcards that largely depicted local views of amusement areas and sporting events including the Olympics. Most of the subjects found on their cards were centered around Paris. They published a photo book of Paris in 1919. Parker 1900-1930 Pasadena, CA A commercial photographer who opened a photo studio in Pasadena in 1904. He captured parades, missions, the San Francisco earthquake of 1906, and many views of southern California and the Southwest. Much of his early work revolved around creating hand colored lantern slides and autochomes. Later he began publishing his images as hand colored printed postcards, many manufactured by the Albertype Company. After passing though a number of hands most of his negatives could not find a home and were discarded in a landfill. Noted for their attention grabbing items such as nudes and the risqué including the controversial images of Kaloma and September Morn. Michael Patras 1932-1940 21 rue du Chercho-midi, Paris, France A photographer of Parisian scenes who published many of his images as postcards. These cards in deep color heliotype were printed in France. As demand for postcards grew, the brothers opened the Post Card Studio in 1911, which became the largest card shop in the Northwest. They also published many printed view-cards of northwest Oregon and the Pacific coast. Edwin died in 1929 but his brother Hal ran the bookstore until his death in 1934. Frank Patterson 1926-1942 Medford, OR A photographer who published real photo postcards of Oregon and California. Patterson began working in photography in 1915 by producing stereoview cards. He also worked for Bear Photo in San Francisco between 1946 and 1959. Patterson 1885-1908 241 4th Avenue, Nashville, TN This photographer made many cabinet cards before producing real photo souvenir postcards depicting views of Nashville. They are probably best known for the view-cards from the colonies of the French Empire. Their glossy photos were made in a high contrast that left very little grey tone behind. They were then overpainted with a pallet of five transparent colors in a flat style. Only their skies tended to have some gradations. The final effect is very bold and striking. Paynter Brothers 1910 San Jose, Costa Rica These photographers published postcards of their work depicting local scenes and ethnic types in hand colored colotype. Their simple RGB pallet gave then distinct look, which is enhanced by their glossy finish. While their Gruss aus cards were printed in color lithography they had a more limited pallet compared to similar chromolithographed cards of the day. They often made up for this limitation with freer flowing graphics. Penobscot Studios 1937-1940 Stonington, ME Published real photo postcards of the Hancock County region in Maine. These cards tend to have large borders. Perkins 1908-1920 Lead, SD A photographer that had been shooting pictures of the Black Hills of South Dakota since the turn of the 20th century. He eventually became a local importer and jobber for postcards in this region. Perkins published many of his own photos as postcards in tinted halftones that were printed both in Germany and in the United States. Louis Pernitzsch 1862-1926 Leipzig, Saxony A fine publisher of illustrated books and eventually postcards in heliogravure and tricolor line block. Perry Pictures 1897- Malden, MA A publisher of postcards and visual aids, including the Perry Magazine, to enhance the education of children. This business was founded by teachers Eugene Ashton and Ella Perry. They met in Provincetown and produced a large set of cards depicting this town. These cards were usually printed in halftone lithographic monotones on strongly dyed papers. Peters 1910-1935 Bonn, Germany A publisher and large distributor of lithographic prints and artist signed postcards of great variety. Many of these cards were printed by B. He went on to become the largest publisher of photochrome postcards depicting Southwest views and roadside Americana. Some artist signed cards depicting Western themes were also produced. Most of his postcards seem to have been printed by Dexter Press. This firm was sold to Bruce Finchum in 1984. PFB See Paul Finkenrath Philadelphia Post Card Co. They are noted for three large sets representing Faith, Hope, and Charity. Most of these cards were printed in Germany but a set or real photo birthday greeting cards were manufactured in Italy. They produced many exposition and artist signed cards for the Siebener Club, Wiener Werkstatte, and for other notables such as Kirchner. Photo Belge 1914-1925 Brussels, Belgium Published artist signed postcards. Photo Brom 1907 Vienna, Austria A publisher of postcards of women and view-cards depicting scenes within the Austrian Empire and neighboring countries. They also produced real photo and printed cards in both sepia and tinted collotype. They also published many advertising, comic, silhouette, novelty, panoramic, and notable artist signed cards in named series as well. The number of titles Photochrom produced may exceed 40,000. This technique was used to produce a great number of view-cards of both England and Europe. While they captured the same fine details as the Swiss prints their pallet was much softer and reduced. Apart from their better known photochroms they produced their Celesque series of view-cards printed in tricolor. One of the largest unnamed series they produced was of view-cards printed in brown rotogravue. Many of these cards were simply hand colored with a dominant red and blue, which gives these cards a distint look. They are similar to cards produced in their Photogravure and Velvet Finish Series. Night Series - Line block haftone over a blue tint depicting London. Sepiatone Series - Sepia real photo cards. Exclusive Photo-Color Series - View-cards printed in color. Duotype Process Series - View-cards printed in two tones. It was an attempt to revive the printing of postcards through the Phostint Process after Detroit went out of business but they were unsuccessful in capturing the same rich look of the originals. Many now refer to the finish of these soft dull cards as frosted to distinguish them from the same images that were previously printed by Detroit. Photo Color Graph Co. They were an early publisher of postcards depicting scenes of New York. The open halftone line block and crude tinting that they used yielded postcards of poor quality. P continues on next page.